What is the best wireless mic for video cameras?

Tips on filming a wedding (first time filming a wedding video)?

  • Within my community, I've been filming events, speeches, documentaries, music videos, and concerts with Canon's HFS10. I also use a "Rode VideoMic Directional Video Condenser Microphone w/Mount". For editing, I use CyberLink Powerdirector and handles .MTS files pretty. I'm more comfortable with AVCHD, and since I'm in school I don't really have time or money to learn and buy software using tapes. I only have a DVD burner for now as well. So I'm working with a really low budget, basically what I have, plus may obtain a few more gadgets to invest in building a portfolio. Since this is my first wedding film, I'm both excited and nervous. I feel like I would need to get (rent) a large Prosumer camcorder so I can get access to certain areas of the stage, etc. although I have seen international wedding videographers use DSLR cameras. A friend of mine is getting married this summer, a few months away. So since they are family friends, didn't charge a lot. Budget is limited. I am contemplating on just using an HFS10 or renting an XH-A1s, and have the HFS10 as stationary. I chose XH-A1s since it's in the family of Canon, colors may be comparable, and I want to edit MTS file. Can't afford Final Cut Pro yet. I heard Express is a waste of $. MY BIGGEST CONCERNS are (1)low-light reception and (2)capturing good audio (ie. low or no crowd hum when the best man is doing his speech) -Will the HFS10 be good enough if I get decent dimmer light? -Or will the XH-A1s do much better than the HFS10+light? -I know someone with a Canon s95. Will that produce better low-light than HFS10? Only thing is, there is no mic input. -What would be the best way to capture good audio? -Should I borrow another mic and attach to recorder, like a Zoom H4n, or a laptop into an audio software, like AcidPro? -Can I hook up a stationary camcorder by the speakers? -Or Can I just use my Rode Mic or an upgraded on-camera shotgun mic (NTG1,2, Azden, Audiotechnica, etc) for the reception? Thanks.

  • Answer:

    Can't skip your question after I screwed up my first shot years ago at a wedding. My experience is that the best test for camera is on-spot examination because every camera has its own merits and demerits at a given situation. Performance of a camera also degrades under certain circumstances such as normal usage, rough handling, atmospheric change, defective components,etc. Therefore, its risky to judge by its made or model. In advance, take your cameras to the place where the wedding is to take place and test it. In reality, I found that even camcorders come up with flying results with little difference between 3CCD and Advance CMOS cameras. Even the best cameras fail under certain circumstances. So, the solution lies in managing the stage. Remember, all great shots we see in movies are taken under managed light. In advance, see if some lights will be required or if some have to be blocked. Where you are helpless with arranging light, determine different locations standing where you can avoid light or shoot in light. From those locations, also see if holding the camera high, low, or holding it at different angels will give better shots. If, the event is going to happen outdoor, then light is generally sufficient. Where weddings are done inside the church, one common challenge is striking a balance between the bright windows in the background and the relatively dark foreground. All events take place in the darker foreground which always tends to spoil the shooting. In such a case, take the shot with the camera held high at an angle, in this way, the bright windows can be avoided. Shots taken in this way are always great especially when shooting the wedding attendants or congregations. Coming to audio, capturing a good audio is desirable, but what is a good audio or byte? In a wedding programme inside the church, audio is really important at two three points. It is important to capture the sound of piano (or whatever instrument) playing the wedding march, the exchange of vows by uttering words after the priest and special numbers. Some think all sermons are the same and boring and don't give full coverage. At all other times, a good audio consists of sounds coming from the background which really do away with the feeling of desolation and give warmth. Keeping a camera with a directional mic mounted on a firm tripod to capture the stage will suffice. As far as possible, keep the stationary camera at wide and not tele, ie. no zooming. At the time of ring exchange, point the stationary camera towards it while you move around close to capture the ring exchange. It is also important to capture all the relatives of both the parties to the wedding, the ring bearer,etc. Also capture all who come to the wedding. Its also good to capture some features of the church. Camera settings, if necessary to change, acquire skill in doing it in advance. If it is necessary to change settings many times during the shooting, better not change settings at all because the wedding will keep on progressing and you can not asked them to wait till you adjust settings. In such a case set setting to auto and let the camera automatically determine settings. Cameras using Digital Video tapes/mini Dv are best and safest. However if you are using tapes, -make sure that you are using brand new ones - have two three hours of extra tape for recording - have head cleaner tapes - push the protective tab to "save" after recording Also always ensure that you've enough battery backup. If possible keep one camera running with AC adapter. Always save some battery charge till the exchange of vows and rings are over. When the priest is delivering sermon, have a camera recharged for, say, 5 minutes, but make sure that one camera is rolling all the time. While shooting, do it so with a target that every shoot you take will be usable. Take lots of clips least you'll find that, after dropping bad shots, you are short of video. One more thing, get details of the wedding programme, know at what time the bridal march will be played or the bride will march in, at what time the vows and ring exchange will take place, how long will the wedding ceremony last. After getting this information, you'll know which events are going to be important. Also it will help you to be at the right place and at the right time. With information of the programme, you can determine how much hours of tape or battery is required. Finally, dont stand in the way of the bride/bridegroom or the priest. They really do tumble over us! lol !! All the best!!

Hakim at Yahoo! Answers Visit the source

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Weddings are a total nightmare, you need to do a lot of homework even before you think about the camera. you need to look at the venue, find out if you can video the wedding service and where they would like you to be. what is the acoustics like, lighting, where is the light coming from. you need to be able to capture the elements of the service, but you have to be invisible, certainly not intrusive. you are going to find it hard to do this with one camera, personally if you are on your own then set up another stationary camera maybe using your HSF10, you need an constant audio feed for the whole time so you don't miss anything. remember the XH-A1s is a tape based camera, so there is no MTS file. If someone started to video my wedding with a DSLR I would be demanding my money back with out question, sorry they just dont hack it. the Xh will record down to .3 LUX thats certainly not complete darkness, so you may struggle with that, so it may be good to change cameras. At the reception use the Xh as much as you can, but when you start to get close up use the HSF nice and handy and not to much in your face, people are more willing to talk to you if you use a smaller camera less intimidating. You have to plan it very carefully, audio is going to be you big issue, so a separate recording source would be helpful but remember about syncing the two . remember that you only get one chance at this, make a mistake and you cannot repeat it. that why its good to have the other camera running in the background. just in case you can fade to that when you edit. You have a few months to go see if you can contact a company that do wedding videos, and see if you can watch their camera man working. I cannot stress how important it is to get it right, there are hundreds of people ripping people off. This is one of the most important days in their lives, it does not matter how much you are charging $50 or $5000 it still has to be right. I really wish you luck, you will need it, use the people who play up to the camera, leave the quiet ones alone, children are great especially if they are playing quietly some where in their own world. dont forget speeches, close family and the couple, do some of the venue before anyone arrives. make sure you have batteries one on the camera one on charge and one ready to go. if you can connect to mains save the batteries. RR

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