How to place a different background image on each part of a book?

Who agrees with should be pg-13 not pg just for some language and a disturbing image.?

• thisd is moviemom's review Audience: 12 and up MPAA Rating: PG for some language and a disturbing image.. Profanity: None Nudity/Sex Kissing Alcohol/Drugs: Drinking, scenes in bar Violence/Scariness: Non-graphic injuries, deaths, scenes in hospital Diversity Issues: Diverse characters Release Date: June 16th, 2006 (wide) Movie Mom's Review Movie romances must have two things: an obstacle to keep the apart and a reason to root for them to get together. This has both. Keanu Reeves and Sandra Bullock have so much chemistry (perhaps based in part on our fond memories of Speed) that we can feel it even though this story gives them only one real scene together. And the obstacle is a nice one. They live in two different time zones. And by that I don't mean EST and PST. They both live in CST -- they're in Chicago. I mean that Alex (Reeves) is an architect living 2004 and Kate (Bullock) is a doctor living in 2006. Yeah. Don't try to think it through too thoroughly. Just go with it. The tenderness of the story just might make it worthwhile. Alex and Kate are connected by the title residence. It is a house on the lake, and by that I mean ON the lake. It is on stilts, made all of glass. The view is breathtaking but it is isolated. Kate moves out, leaving a note for the new occupant about forwarding her mail. But he is confused. As he moves in, no one has lived there for years. She refers to pawprints and a box that he can't see. And the date on her note is two years in the future. It seems the mailbox is a time/space continuum wormhole. Or maybe it is enchanted. The movie does not waste any time with explanations. It just shows us Kate and Alex, revealing themselves to each other through their letters and to us through their interactions with their friends, family, and colleagues. We see them grow toward each other, the very distance and strangness of the connection creating a place for each of them to thaw a part of them that has been isolated and frozen. We realize how -- and why -- destiny is bringing them together, and when it does, it is sweet and satisfying. Bullock lowers the pilot light on her usual twinkle and allows herself to be vulnerable and even a little aloof. Reeves turns up the pilot light a little bit, giving us more than his usual blankness, letting us feel how much he wants to be with Kate and what he is willing to do to make it happen. If the two elements are there, a romantic story has an essential rightness that makes is possible, even a pleasure, to let ourselves believe in it. So, don't ask whether there could be a house made of glass on top of a lake or whether Kate kept driving back to the mailbox. Just enjoy it. Parents should know that characters drink (scenes in a bar). A boyfriend and girlfriend break up when she kisses someone else. A character is hit by a bus (offscreen) and dies and there is another sad death. Characters use some mild language. Families who see this film should talk about how the lake house was a metaphor for Kate and Alex, giving them a view of great beauty but separating them from it. Families who enjoy this movie will also enjoy other time-travel fantasies like Frequencyand Somewhere In Time and another kind of story about love through letters, 84 Charing Cross Road. They will also enjoy Portrait of Jennie and the book that inspired it by Robert Nathan. And they will enjoy Jane Austen's wonderful book Persuasion and the excellent movie verwsion.

• Answer:

  Not at all. The movie had some mild language but it wasnt even that close to PG-13.