How does a recording studio work?

Plenty of great musicians that do NOT know how to read music have written and recorded in many music studios around the world. There are many different levels of recording studios from the simple garage set ups, to fancy million dollar facilities. You can probably get your basic ideas done with a simple studio. The person who owns it and runs it can generally help you "sweeten" your tracks with appropriate instrumentation. With the advent of computer based recording programs you can even do much of this yourself. I would try a few of the many simple recording programs to get your initial ideas recorded in a basic context. These programs have drum tracks and other instrument capabilities that you can play from any MIDI keyboard. Once you have the basics down you can then decide if you wish to "take it to the next level".

Yep. Been there. If you want your works to be at such a level that you want for possible distribution and getting it known to the world, it has to have such a structure that a team of musicians and technicians familiar with music, and recording, to be able to put it all together. There are studios that will charge a basic fee, around a $100 (half hour or hour) to start, for anyone just walking in off the street, to record a singing track and get a copy. Charges of course add up, when to be involved with musicians and other technicians (with advisory staff) to help out in bringing a real production together. But, just recording(s) such creations you feel needs to be saved, there still has to be a system, a structured direction and production for everyone to follow, and have the true results of all your efforts. It would be expensive for such studio time for everyone, and receive no real notable return for the others' contribution to consider any 'vanity press production' that never goes beyond to make a commercial/entertainment circulation. Only a few alternatives are to have a secondary who does have experience in piano and musical and group arrangement knowledge to oversee a production as you prefer to direct it. It has then has to be a partnership and as well, be recognized for such evidence, or contract environments. Everyone involved will eventually be given credit. The other, get into recording yourself. Not only to get it all down as your own record and mastering what you expect to be any finals, but learning what is involved and providing playback techniques and tools that you can build upon for later, personal compositions or reference for later. Then, when you do have what you want as a master, copy it, to take with you on to a production stage for any studio for examination, alterations or advice on what has to be done to make it all complete and ready for any public or commercial exposure.

Plenty of great musicians that do NOT know how to read music have written and recorded in many music studios around the world. There are many different levels of recording studios from the simple garage set ups, to fancy million dollar facilities. You can probably get your basic ideas done with a simple studio. The person who owns it and runs it can generally help you "sweeten" your tracks with appropriate instrumentation. With the advent of computer based recording programs you can even do much of this yourself. I would try a few of the many simple recording programs to get your initial ideas recorded in a basic context. These programs have drum tracks and other instrument capabilities that you can play from any MIDI keyboard. Once you have the basics down you can then decide if you wish to "take it to the next level".

We'll I started playing piano by ear, then learned a bit of sheet music. I can read sheet music but not excellent by no means. When I record piano I don't need to write it down on a sheet of paper as long as I know what it is I am playing. I'm not too sure what your question is really: How to record? Or does not being able to read music affect the session musicians? I'd say if you know the keys on your piano at least, then you can describe to them what notes to play as the listen to the song. No need to get sheet music and put them in the studio. Just as a band does, (rock band, etc.) they do not have any sheet music (that i know of) infront of them. I suggest trying it out and see if it works, go over the notes with whom ever is to record with you; just describe the song. Sheet music is an aid, not a nessecity (most of the time...) :P

This Site Might Help You. RE: How does a recording studio work? I am a singer/pianist and I have some songs I've written and would like to record at a studio, however, I do NOT read music. I was also hoping to have session musicians lay down some drums and strings as well. Would the fact that I can't read music interfere in some way or hinder...

We'll I started playing piano by ear, then learned a bit of sheet music. I can read sheet music but not excellent by no means. When I record piano I don't need to write it down on a sheet of paper as long as I know what it is I am playing. I'm not too sure what your question is really: How to record? Or does not being able to read music affect the session musicians? I'd say if you know the keys on your piano at least, then you can describe to them what notes to play as the listen to the song. No need to get sheet music and put them in the studio. Just as a band does, (rock band, etc.) they do not have any sheet music (that i know of) infront of them. I suggest trying it out and see if it works, go over the notes with whom ever is to record with you; just describe the song. Sheet music is an aid, not a nessecity (most of the time...) :P

One of the most diverse muscles in our bodies is the tongue. This amazing tool not only helps you talk, but also helps you properly sing. When you sing, it is important that your tongue rest in specific areas as certain notes or scales are attempted. Learn here how to sing https://tr.im/AdxS3 The tip of the tongue is the easiest to control, but is not what is used the most in singing. When you sing, the tip of your tongue should be lightly pressed against the back of the lower teeth. This will ensure that it doesn't get in the way, or hinder the middle, sides, or back of the tongue when attempting certain notes. The back of the tongue, probably one of the hardest areas to control, should be the section that is relaxed. Once you get used to keeping the tip of your tongue lightly pressed against the back of your teeth, this should be easier to do. You can even put the tip a little lower if you feel it's in the way or becomes irritated. So, the back of the tongue should be relaxed, yet ready for use. You should be able to control it a little bit at this point. As you practice singing a little more, try to notice what the back and middle section of your tongue are doing. On lower tones or notes, the tongue will lie flat. On higher tones, the contrary. When it comes to lower tones, the tongue doesn't have as much work to do because the lower sound that is emitted originates in the chest cavity and is formed through the throat. With higher tones, however, the higher the tone, the more 'active' this back section of the tongue must be. Now that the tongue has been covered in some detail, it should be noted that singing is difficult on the muscles and surrounding cavities and ligaments. However, difficult does not mean painful. If in hopes of reaching a certain tone or trying to hold a sound, you thereby cause stress to your neck or throat muscles, you are not going to last long. Controlling these muscles, as steadily as possible, and working them to a certain point each day, without strain, is one of the most important factors when it comes to practicing and learning how to sing. Remember, you should never feel pain nor strain.

I am both an online piano teacher and an offline piano teacher. After teaching extensively both ways, I can honestly tell you that I see many more advantages with learning online. Learn here https://tr.im/PianoLessons Keep in mind that, while surprising, those words only hold true with an online program that has every component it needs to provide you with the potential benefits.