Teen girl audition song needed!
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Teen MusicalTheaterFilter: Audition song for teen girl- make it a good one! My niece (age 14) will be auditioning for a âyoung adultâ production of Sweeney Todd (maximum age 21) at a local community theatre. She has asked me to help her plan and prepare for her audition. She remains hopeful of getting a role although I have tried to keep it real and explain that itâs VERY unlikely that any of the leads will be 14-year-olds (except perhaps Toby). Also, I tried to explain that itâs extremely unlikely that someone brand-new to the group will be cast over someone they know who is a proven commodity. Kids struggle with this because itâs not _fair_ but itâs a fact. Even if she kicks major ass at the audition, they probably wonât cast her in a lead. I advised her to list the role she wants but to also say sheâll take any role, and go for the gusto. So- I canât dissuade her, despite all of the above [AND my firm belief that there is no way a bunch of teenagers-twentysomethings can do this show justice. Ahem]. So she needs an audition song. Iâm not used to working with teen voices, so Iâm asking for help. She has never done any ârealâ theater, just little plays at church. She has a good voice, a great ear, learns quickly and can even do a damn good Cockney accent. Sheâs had experience singing in front of people and understands that she needs to cast her semi-geeky adolescent fears aside or the masses of experienced teens who are bound to show up at this audition will wipe the floor with her. She was all proud of the fact that she learned âBy the Seaâ (off the movie soundtrack!) but I had to explain that itâs not appropriate to sing from the show unless specifically asked to; plus, she wants the Beggar Woman role. Third, her voice is totally wrong for that song. In my opinion (and what my 25+ years of experience have shown me), the goal should be to get called back, so she can get over the first rush of terror and relax a bit in the comfort that she made it past the first round. The song needs to let her show her ability and make them want to see more of her. The song should (ideally) be somewhat bipolar in nature (as is The Beggar Woman)- she goes back and forth in her delivery between the lyrical, almost wailing upper range (âAlms, almsâ¦â) and the low bawdiness of the âHowâd you like to push me crumpetâ¦â sections, etc. It doesnât have to be Sondheim per se, but it needs to be more than just fluff and not Rent-type pseudo-pop. I will teach it to her and coach her so she doesn't have to learn it on her own. It needs to be the typical "your best 16 bars" worth, so it can't be a whole opus. Caveat- please don't refer me to anthologies. However, I would welcome other sites/forums where people in the know could assist. I know this is a tall order. Itâs not âjust another auditionâ since she will have so much invested in this. I REALLY want her to do well because to step into the world of theater will do wonders for her (sheâs fairly introverted and appears shy but is actually very smart and would, I know, eventually shine as an actress and singer). Thanks for the help!
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Answer:
"Turn Back, O Man" from Godspell could work, although you don't mention her voice type? I have my thinking cap on, I'll probably be back in this thread all day with new suggestions. Honestly, for a young adult production, I wouldn't worry too much about finding something that's just like this particular show, either- something that shows off her voice is top priority. It would be better to nail 16 bars of "Happy Birthday" than do a weak job on something that's all over the place.
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Other answers
I would advise against the use of any accents in an audition. The most important thing to convey in this first song is that she can sing. A bad accent (and it will be bad, if she's nervous and inexperienced) will distract from that and distract her from focusing on other important audition techniques, like breathing and posture.
ThePinkSuperhero
Good grief, they won't let under-16's audition. The drama! I guess I'll save all this info for 2 more years.
I_Love_Bananas
How is singing from the show inappropriate unless asked? I've auditioned for community shows all my life, and singing from the show (for Todd, sing the Broadway version, not the movie (which is awesome in its own right)) is the best way to show that you can handle the specific kind of music. If you don't want to sing from Todd, pick another Sondheim song.
sjuhawk31
"I've Got the Sun in the Morning" from Annie Get Your Gun. Solid song that you don't hear too often and works for well for a lot of different voices.
easy_being_green
If I was a young girl (which I'm not) and could sing (which I can't), I'd sing http://www.mrjoeiconis.com/media/Blue%20Hair.mp3 every time I auditioned.
still_wears_a_hat
I've always been given the advice never to sing a song from the show that you're auditioning for unless asked to. On the other hand, it's actually not uncommon to be asked. Regarding accents: I do agree with ThePinkSuperhero in that she shouldn't perform an accent if she can't do it well. However, the bar is probably not as high as you might think. Stage Cockney doesn't have much to do with the way anyone actually talks (in fact, if you tried to perform My Fair Lady with an authentic accent, I imagine quite a few of the lines wouldn't even rhyme), so it's not nearly as difficult as performing a realistic accent. Also, I've noticed that youth productions often value energy over subtlety. An bold, unusual performance with a lot of energy and a few mishaps seems to get more attention than a lower-key, but flawless audition. Take these words with a grain of salt, however. The youth theatres I'm more familiar with are generally 12-18 year-old groups. This one sounds a bit older. I guess what it boils down to is this: if she can pull of a good stage Cockney, go for it. If it's kinda iffy, you might not want to put it front and center.
ErWenn
Quarterframe, I have not thought of Those Were the Days in years. It has a music-hall vibe. And yes- NO ONE else would do it. Hmmm.
I_Love_Bananas
She has a very clear, pure tone in the upper register which is a strength. She doesn't try to carry a belt too high. Not tons of power, but she is always on pitch. She plays pop songs on the guitar and sings along, but she alwys ends up imitating someone she's already heard (using that odd, affected Avril Lavigne-type diction that seems to be everywhere). [Not that she likes Avril Lavigne. But that is the sound I mean when I attack that style.] I think if she committed to developing her voice towards the goal of musical theater vs. pop, she would definitely see good results. From what I have heard her sing (not really musical theater repertoire), I think she is definitely a soprano. To show off that upper range would be to her advantage, especially for Sweeney and the big, full-voice choral numbers.
I_Love_Bananas
Well- first of all, there is no reason that she will not be cast. Yes, favorites sometimes get roles but you're first audition in a place usually gives you the leg up actually. The director has never seen you, you're new and exciting! So- you're right. Nothing from Sweeny Todd, thats what a callbacks for! Also- nothing from Sondheim. It is much too hard to sight read which means that the pianist might have trouble. I would suggest something like "Change," from A New Brain. It's a beggar woman singing who's sort of crazy. Bonus points for not singing a song everyone else will be singing.
thebrokenmuse
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