What is the best way to learn jazz piano?

Music Instruction: What's the best way to learn advanced jazz and improvisational piano?

  • I have a decent background in music theory and piano improvisation.  I learn by practicing popular music and want to develop an advanced understanding of music theory/branch out to jazz/develop my improv skills furthers--what are some sites/resources/methods that people use to take their improvisation to the next level?

  • Answer:

    I only play a little piano but play bass and guitar. Not much formal instruction but I play a lot. In addition to the really excellent answers here I would add: Record yourself. Listen for your cliches. Work them out. Play with other people. You don't interact with a backing track. Try tunes you know different ways. I play Black Coffee a lot, usually under a singer and done slower. We solo over two A sections and skip the bridge for solos. Last night she wasn't there so we played it as a Charlie Parker bop tune and soloed over the whole form. Totally different solos came out! Play less and make every note count. (Big for me, I will blaze away if I'm not careful.) Put arbitrary constraints on yourself like "only play with the right hand" or "only play arpeggios." See where that takes you. (This is a huge issue for a piano. Please... the rest of the band will thank you to leave your left hand on the bench at first.) Get the people comping to leave you lots of space. Switch your soloing back and forth to comping. Use the solo to take things out more and then put in a chord or two or a fragment of the melody to bring it back. Try this for four bars, then go to two, then one.

Jay Verkuilen at Quora Visit the source

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Other answers

I'm not a piano player but I went to school for Jazz and studied (bass) with some amazing people. Here's what I learned: You have to listen like your life depends on it. Find musicians who inspire you and listen deeply and intelligently. Find out what it is you love about their playing. Find out who influenced them. Find out why what they do is so damn musical. Next, sit down with a recording of one great solo and learn it backwards and forwards. Start by singing it - this will train your ear. Then start playing it on the piano, slowly at first so you can figure out the fingerings and lay down the foundation to speed up the phrases and passages. Internalize that solo like none other. Let it seep into your subconscious so it can come out of your playing one day when you least expect it. Finally, don't expect anything to happen overnight. Michael Brecker once told me he believed that it always takes 6 weeks for something you practice to work its way into your playing. I've never forgotten that and it helps to cultivate my patience.

Kevin Jacoby

This book came highly recommended by a jazz pianist: http://www.amazon.com/Voicings-Jazz-Keyboard-Frank-Mantooth/dp/0793534852 I would also recommend buying a Real Book and start learning charts. For each standard you learn, listen to at least 5 different recordings. Learn what great artists have done with it- are they sticking to the chord progression strictly, or are they decorating it? What treatment are they giving the melody? Pick a couple of tunes you really like and learn them in several (and then all 12) keys. Learning solos by ear is a fantastic suggestion, I agree with Kevin 100% on that. Another option for learning what the greats use is to buy/find transcriptions of solos. I always recommend the solos (for all instruments) on Miles Davis's Kind of Blue to be a great starting point- most of Miles's solos are very accessible if you're just starting with learning jazz solos. The John Coltrane solos will take a little while- if you have to put those off until you've build up to it, that's ok. Find some Jamey Aebersold recordings and spend time playing along. Memorize licks from other solos and trying playing them over changes. Build your vocabulary of jazz ideas. Once again, spend more time improvising. Learn what a 2-5-1 (or ii-V-I) is- you'll find them frequently. Learn 10 different ideas you can play over a 2-5-1. Play them in all 12 keys. Go to spotify, and find the playlist made by Andrew Hitz of Jamey Aebersold 100 most influential jazz recordings. As suggested, listen like your life depends on it. lastly, jazz music and artists don't exist in a vacuum, and the way it grew and developed informs what's going on. The Oxford Companion to Jazz is a history textbook. It's dense, and it's thorough. Going through ti and reading it will help you understand the development and evolution of ideas, and give you more ideas for who to listen to, and in what order. Good luck!

Grant Studer

I made a card game for my students to help them practice improvisation. It's not specific to jazz, in fact you don't need any theory or experience beyond very basic musical terminology. It's a good way to get your creative juices flowing and to play a little more "free". You can download and print it for free as a PDF here: http://tonicgame.com Let me know what you think!

Scott Hughes

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